Revel
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CURATED
Revel
Limited Edition of 5
Digital Art / geometric abstract
$2,750.00
Currently Available for Sale: 5
35" H x 35" W x 1.5" D x 10 lbs
Buy from Artist
Description

Revel completes the series with a confident, outward‑facing declaration of pleasure. Amidst the intense blocks of color, a single dark red oval captures focus, nestled subtly within the orange and blue layers. This small yet notable detail prompts viewers to pause and explore the complex relationships present in the artwork. The contrast of warff yellows against deep blues creates an engaging visual experience, while subtle specks of textured detail add depth. The overlapping shapes effortlessly engage the observer, guiding movement across the composition and making connections between the hues. This artwork's design highlights the balance between structure and spontaneity, culminating in a piece that demands a thoughtful gaze.

Printed on archival, museum‑grade canvas using pigment-based inks by one of the top fine‑art printing studios in America. This studio produces work for artists, galleries, museums, corporations, art fairs, and professional designers, ensuring exceptional durability and color accuracy. Each artwork is mounted on a Float-Frame and is ready to hang.

Year Created
2026
Location
Denver, CO, USA
Colors
BlueGreenLight GreenOrangePale OrangeYellowBrown
Materials & Tools
Adobe PhotoshopCanvas
Search Terms
geometric abstractabstract formsboldharmonyvibrantelectricluminous intensity
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Ken R Crost
Denver, CO, USA
I create abstract works that explore how motion, contrast, and spatial tension shape emotional experience. Each piece begins with a simple gesture — a curve, a sweep, a directional force — and expands into a study of how form can alter the field around it. My interest lies in the internal architectures that govern perception: the quiet geometries beneath feeling, the invisible pressures that guide how we move through visual space. Color functions as both structure and energy in my work. High‑contrast pairings generate friction, while gradients and arcs soften that friction into movement. These interactions reveal how opposing forces can coexist within a shared momentum, creating compositions that feel simultaneously stable and unsettled. I use abstraction not to obscure meaning, but to expose the underlying dynamics that representation often hides. At its core, my practice investigates how difference creates motion — how one form pulls against another, how one color reshapes its counterpart, how tension becomes a generative force