Reclamation
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CURATED
Reclamation
Unique Original
Painting / Landscape
$900.00
Currently Available for Sale: 1
12.75" H x 18.75" W x 0.1" D x 1 lbs
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Description

The scene is the pathway next to my garden, looking towards our 'goat shack'. The pathway is waaaaay overgrown. You can see cinder blocks to the right blocking a stairway from a project that was halted. Things piling up around the goat shack more than I'd like. A wild grape vine beginning to take over the hillside.... It's the end of the season and I can't keep up! I can barely harvest the bumper crop of green beans in a timely fashion. Life was crazy at that moment, but at the same time the wildness of Earth's invasion was inspiring. 

I am drawn not only to the beauty within a scene, but am careful to include beckoning elements of light/shadow, repetition and depth. Scenes chosen revolve around a dance of light/shadow and it's own sense of invitation to explore; pathways are common to include for this reason. Quiet, hidden, reflective/introspective....lush; these are things I look for. I am polarized by scenes that make me forget my troubles and I feel "enveloped", even if just for a moment.

"Reclamation" 12.5"x18.5" - watercolor on Yupo - uv sprayed

by Jennifer Sowders

I.G.:

ww.MONgallery.us

Year Created
2020
Location
Ohio, USA
Colors
GreenBrownPale YellowYellowTanLight Green
Materials & Tools
watercoloryupo
Search Terms
landscapeovergrowthwatercolorpaintingwildfarm
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Jennifer Sowders
Fostoria, OH, USA
“Landscapes” Artist’s Series Statement: I work impressionistically using acrylic paint with a palette knife and a silicone dotter for expressive mark-making. I also utilize a thinner viscosity of acrylic paint for whipping branches (via a string) onto the surface, which helps sink paint into the impasto that accrues in layering. I have spent most of my life in a rural setting, surrounded by woods, streams and fields on a dead-end road. Being surrounded by nature has definitely given me a heightened sense of paying attention to my surroundings... which only grew in the years I spent creating my landscapes via plein air painting. Being able to have the actual impression of what kind of plant or tree is represented is also very important to me. Not only does that make me feel a little like a visual historian of sorts but though a person might not know the name of a plant... their eyes process those shapes, colors etc. and that impression draws them into the scene. I often hear people talking about feeling as though they could walk right into the painting... and that drawing/immersive-feeling is just what I'm going for.