At the core of my practice is the relationship between memory and transformation. Memories change over time: some details become more vivid, others fade, and each return to the past, shaped by one's emotional state, alters it in subtle ways. I work with the genre of still life because it allows me to speak about a person's inner world through the objects that inhabit domestic space. The home, historically associated with the experiences of women, has long been a place where they found ways to create using everyday objects and readily available materials. Continuing this tradition, I work with objects from my own home, drawing on everyday life as the material for my practice. Each work begins with a still life composed of ordinary household objects. Within my compositions, these objects lose their practical function and become part of personal narratives. I then photograph the assembled scene, but the photograph is only the first stage of the process. Returning to it through collage, I dismantle and reconstruct the image, transforming both its form and its meaning. In doing so, the image follows the same path as memory: it transforms and is continuously reinterpreted.