Does Taking Photos of the Eiffel Tower At Night Violate Copyright?

Eiffel Tower
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(Updated) Every night, the Eiffel Tower is lit in a dazzling display of 20,000 sparkling lights that run until about 1 a.m. Tourists come to see the spectacle taking photos to post on social media or send to friends and relatives. However, according to the Société d’Exploitation de la Tour Eiffel, which owns and operates the tourist attraction, while the Eiffel Tower itself is not protected by copyright, the light show is protected. Yet, we see thousands of images across the internet of the Eiffel Tower at night, and there doesn’t seem to be any desire by the copyright holder of the light show to enforce their rights by having these images removed. 

Are all the tourists taking photos of the Eiffel Tower at night committing copyright infringement? 

So, before you take that next iconic night photo of the Eiffel Tower or any other monument with light shows or other potential copyright-protected aspects, let’s look at copyright law and its effect on the 125-year-old French landmark.

The Eiffel Tower Copyright

Under copyright law, a copyright holder of a creative work has the exclusive right to copy, distribute, publicly display, or create derivative works based on copyrighted material. These rights are given to various types of works of visual art, such as paintings and photos, as well as architectural structures and lighting designs. If these types of works are being used without permission, they may be considered copyright infringements, subject to various monetary and other penalties.  

Most countries, including the United States and the European Union, have the same minimum copyright protections as they are all signatories of the Berne Convention (the international copyright treaty.) As part of the Berne Convention, each country agrees to provide these rights and mechanisms for enforcement to the copyright holder for a limited time. Once the copyright duration has ended, the works enter the public domain, where they can be used freely without permission from the copyright holder. How long copyright protection lasts depends on various factors. (See, Is Copyright Duration Too Long? For more information.) However, one rule of thumb for Berne Convention signatory countries is anything created before 1924 is likely in the public domain. 

The Eiffel Tower was completed in 1887, so it no longer has copyright protection, and therefore, anyone is free to take photos or create an image of the iconic structure. However, the lighting design is a recent addition, only installed in 1985, so the lighting scheme is still protected by copyright. 

So, if the lighting design is protected, why do we see so many images of the Eiffel Tower at night across the internet?  

See also
Can You Copyright an Idea?

Stopping taking photos of the Eiffel Tower at night just isn’t practical. 

Technically, the copyright holder of the Eiffel Tower’s lighting can prohibit photographing the Eiffel Tower at night, as well as posting them on social media or personal websites, selling them to publishers, or making prints available for sale. 

Eiffel Tower at Night
Eiffel Tower in 1914

However, a copyright holder is not required to enforce the right granted by copyright. If the work is used without permission, it is up to them to remove the infringing image or hold the infringer accountable for the illegal act. So how can someone photographing the Eiffel Tower at night determine what uses of that photo will be acceptable to the copyright holder?

First, consider the public relations aspects of prohibiting individuals from taking night photos of the Eiffel Tower. An artist who creates such a prominent, publicly displayed work attached to a famous monument must expect people will take pictures of it and distribute them on the web or social media. Millions of people do. A search for “Eiffel Tower at Night” on Google will show over 24 million search results.

Any attempt to keep millions of people from taking photos of the Eiffel Tower would be a logistical require security to enforce the ban, which would be costly and impractical, if not impossible. After all, only a tiny percentage of people would know that the lighting is copyright protected. It would be doubtful that the Société d’Exploitation de la Tour Eiffel would agree to any lighting design that necessitated that level of security. 

If stopping the photos is too difficult, what about removing them once posted? Removing the images would ultimately create a Public Relations nightmare for French tourism. Imagine visiting Paris, where you posted several photos of the Eiffel Tower to Instagram, only to find a copyright infringement letter waiting for you at home upon your return! 

Even more problematic are the logistical challenges of removing the photos. Removal would be time-consuming and costly. While large image-oriented websites, such as Artrepreneur, provide a mechanism for easy takedown requests per the rules of the Digital Millennium Copyright Act (also known as a DMCA takedown request), this mechanism only applies to US based-sites that register as an Agent with the Copyright Office  All other websites worldwide would require a written takedown request or cease-and-desist letter to each violator, an expensive and practically impossible implementation.

For sites that do not remove the infringing photos, the copyright holder must initiate legal action to facilitate their removal. Unfortunately, in most cases, the legal costs would be more than the potential monetary awards from the lawsuits  (For a deeper understanding of monetary awards, see How Much Can I Get From a Copyright Infringement.) Therefore, it would be doubtful that anyone would be stopped from taking photos of the Eiffel Tower at night or receive a takedown request for a photo’s removal.

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Stop, thief! How to win big in a copyright infringement case

Given the challenges in enforcing the copyright on the Eiffel Tower’s lighting design, the Societé has explicitly provided the acceptable boundaries for photographing the Eiffel Tower at night on their website, stating that photos of the Eiffel Tower are not prohibited, with one caveat; night photos of the Eiffel Tower used for commercial purposes require permission.

“The Eiffel Tower’s lighting and sparkling lights are protected by copyright, so professional use of images of the Eiffel Tower at night require prior authorization and may be subject to a fee. Professionals should therefore contact the Eiffel Tower’s management company to learn about conditions for using the images depending on the case.”

Enforcing copyrights against professional photographers is certainly more manageable than for non-professionals. First, the photographer or organization using the photos would likely know that a license may be required. Permission for location shoots is a common practice, so potential infringements from this group should be minimal. If an infringement is discovered, the commercial use is more likely to have a mechanism for a takedown request. Plus, a commercial organization will be more inclined to correct the oversight by paying a licensing fee and penalties rather than removing the infringing work. 

Further, if legal action is required, there is also a greater chance that the monetary awards will outweigh the costs of the lawsuit. If not, the copyright holder does not have to enforce its rights. They can selectively choose which infringements to target for legal action based on the potential monetary damages available, handling other infringements with takedown requests or cease-and-desist letters. 


So, suppose you will photograph the Eiffel Tower at night (or create artwork for any other national monument or public structure) for personal use on social media or other art sites. In that case, you aren’t likely to get into trouble. However, you should be cautious if the work is being used for a commercial purpose, especially one that may generate revenue. In either case, reviewing the terms of service for the location never hurts. Whether it is the Eiffel Tower, the Empire State Building, the Louvre, or the Museum of Modern Art (MoMA), their websites should provide all the information regarding images from their locations.  

Have you had any issues with taking photos of national monuments or other publicly owned spaces? Let us know in the comments.


About the author

Steve Schlackman

As a photographer and Patent Attorney with a background in marketing, Steve has a unique perspective on art, law, and business. He is currently serving as the Chief Product Officer at Artrepreneur. You can find his photography at or through Fremin Gallery in NYC.


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  • Hi, Steve: Thanks for the comprehensive discussion. I posted a nighttime image of the Tower today (126th birthday of the tower) and got a note from a follower about the copyright issue. I had no idea. Since I’m not being asked by Time magazine to put it on their cover, I guess my chances are pretty good. Anyway, I put a link to your article in my response to the reader. I hope that’s OK.

    • Yes, of course. The more people see the articles, the more they will know what they need to know. Let me know if anyone ever does say anything about your Eiffel Tower photo.

  • I thought no permission was needed to publish photographs of people or buildings for editorial purposes (books, magazines, newspapers). That would include a cover on Time magazine. Is the French law different? Would a newspaper photographer in France then need prior permission to publish an image of the Eiffel Tower at night?

    • I would have to look at the specific rules for France, but what I can tell you is that the news and editorial issues for copyright in the U.S. are part of the fair use doctrine. There is no generalized fair use doctrine across the EU, although it is possible that those protections are part of a directive or case law.

      It sounds like a good blog article though and I will put it on my list of topics so I can give you a more complete answer.

      • I have to disagree with your assessment that “the news and editorial issues for copyright in the U.S. are part of the fair use doctrine”. Fair Use isn’t that simple. If it was, “Time Magazine” (to use the above example) would be able to simply take any photo they want, without payment, with impunity, as permission wouldn’t be required. There would be no “AP Photo”, as editorial photos couldn’t be subject to any licensing fees.

        While editorial usages qualify as “Fair Use”, simply stating that they are Fair Use leaves out a lot of the nuance of the law.

  • It’s only a matter of time before this aberration of a “law” is challenged in court and overturned. In effect this is saying that the group that manages the Eiffel Tower owns part of the Paris skyline, at least a night, a patently absurd notion.

  • im sorry not to be rude but i just dont like this law and its not fair because what happen if someone get married in front of the Eiffel tower and take a picture and post it how much will they get fined for it and so wrong can we even take a picture and not put it on the internet. 🙁 :,(

  • Out of interest, out would this affect someone creating an illustration of the tower at night for a kids book… Is just photography? And if it’s artist representation of a work, depending on it’s similarity, is it still a copy?

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